Sunday, October 16, 2016

She Who Hears the Cries of the World

A version of this memoir was published in the literary magazine, “Pilgrimage: Story, Place, Spirit, Witness”. Volume 31, Issue 1, Crestone, Colorado, 2006, It also appeared in the Dark House Press Anthology "What We Talk About When We Talk About It" Vol.1, 2019.

 


She Who Hears the Cries of the World

Winter Ross


It was not a good day to die – It was too beautiful. The Denver smog was behind us. Before us was the pass, it's peaks snow-capped even in July. I'd driven 1,200 miles to deliver my two children to their father for a summer visit. The Boyfriend, along for the ride, had entertained the kids in exchange for an opportunity to get away from the humidity of the East Coast. My sadness and anxiety about being separated from my little ones had motivated me to schedule a retreat at a Zen Center within a day's drive of them.

We drove by a group of people on the side of the road. A flat tire, I thought, as I glanced in the rear view mirror. But the reversed image reflected the truth. Startled, I recognized the posture of a man performing CPR and braked. Boyfriend, who'd been keeping his eyes closed against the sting of gritty contact lenses, looked over at me from the passenger seat in surprise. It was no time to slow down. The van needed momentum to climb through the thin air.

“Someone's hurt back there,” I explained.

“Nothing we can do about it.” He pulled at his beard.

“You know I was an EMT. I'm going back.”

He shrugged, “It's up to you.”

Taking a deep breath, I swung the wheel of the van hard to the right to gain extra road for a U-turn. Still, the wide turning radius of the vehicle brought it close to the mountain's edge. 

The complaining tires flung sandstone into the canyon below but the van obeyed. I pulled into a wide space across from the gathering and got out. Brushing the hair out of my face, I glanced both ways for traffic and ran across the road to the fallen figure.

He was a big man in his late 50's, stretched out on his back in the red soil. I took in the twisted bike on the ground nearby. Too old and out of shape to be biking up a mountain, I thought. Should've known better...probably a heart attack.

A young man, blond hair obscuring his face, knelt at the bicyclist's head, breathing for him through a plastic mouth guard. A middle-aged man in a Department of Wildlife uniform, leaned hard into the bicyclist's chest. I bent between them. “ I'm an EMT if you need help.” Both men hesitated. The younger stopped for the count and looked up as if to make way for me. “No. Don't stop!” I said, “Unless you have to. You're doing fine.”

I'd come from sea level and could barely breathe for one. I knew I couldn't put air into those dying lungs as effectively as the 20 year-old across from me. The body on the ground was heavy and solid. I could see it took all the government man's weight and strength to reach his heart. I wasn't strong enough to help much in that position either.

I slid my palm beneath the bicyclist's neck, made sure the airway was open, then felt along the soft jowls for the carotid artery. “I think I can feel what you're doing, but no pulse,” I murmured to the man grunting beside me. He glanced sideways and nodded. Sweat trickled through his thinning hair and down into the collar of his uniform. The broad chest beneath his hands barely rose between compressions.

“You need to breathe a little harder,” I coached Younger. “That's good. If you get dizzy, stop and I'll take over, ok?”

“Thanks, I'm alright.” he whispered over the bloated face between us.

So I just crouched there between the struggling men, trying to be helpful, my fingers on the bicyclist's damp wrist. I never felt a pulse. I could have checked his pupils but I didn't. I didn't have to. I didn't want to look into a dead man's eyes.

I found myself looking, instead, up into a sky of such deep blue that I could sense the stars behind it. A chill came over me as I imagined the bicyclist looking down on us: three strangers kneeling in the desert dirt around his body, agonizing over our inept attempts to bring him back. Was his lingering consciousness comforted by the compassion of these strangers?

Forcing myself to take a breath of my own, I looked around. Vehicles were parked haphazardly; I noticed another bike flung on the ground. A thin man, watching through tears, twisted his biking hat between his hands; a man in jeans stood with a ten-year-old boy squatting near his patched knee. I looked for Boyfriend. He leaned against a stray U-haul trailer with his arms folded, a spectator. Bluejeans picked up the bikes and put them in the trunk of an old Buick where a woman waited behind the wheel. The boy didn't move.

“Ambulance and sheriff are coming,” the wildlife officer gasped, nodding toward his green pickup. Its radio antennas shone in the sun. “It won't be long.”

Almost as he spoke, a white truck with a gold star laminated on the side swerved into the pull-off. Clouds of dust and gravel tore from the wheels. The sheriff banged open the truck door and ran toward us. “Hey, Bob! Let me take over for you, there.”

Wildlife shook his head, sweat spinning into the dry air. He had a grimmace of irony on his face. “No, man. I have so much adrenalin going, I'd explode if I quit.”

“You sure?”

“I'm sure.”

“You ok, son?”

Younger nodded and kept breathing.

The sheriff noticed my fingers on the bicyclist's wrist and raised his eyebrows. I shook my head. 

He turned back to the truck to report to the ambulance coming along behind him somewhere in the rough forest at the bottom of the pass.

The ambulance crew, two men and a woman, were from the village. Although they toted high-tech equipment and wore orange jumpsuits, it was clear they weren't used to handling life or death situations every day. An IV had to be inserted twice by hands that were visibly shaking. Their patient vomited reflexively and the tube pressed down his throat had to be readjusted. Electrodes hastily taped to his skin wired him to a red box full of gauges.

“Everybody back! Clear!”

The big body stretched out stiffly, convulsing. I looked away. I saw the ten-year-old, his eyes wide and face as white as the dead man's, still sitting in the dirt unattended. I moved to block his view and caught the kid's eyes with my own. I heard the next “Clear!” behind me.

“This is not something you need to watch. Go back to your mom and dad.”

With a look of relief, the boy got up and headed toward the Buick without a word. I watched him, wondering at parents who'd leave their child to witness this and thinking how amazingly easy it was to order someone else's kid around and get an unquestioning response. My own would have ignored me.

“Clear!”

From the corner of my eye I saw Younger, standing now, sway. Both hands covered his face. I walked over to him, put my arm around his back to steady him. We stood together silently, averting our faces at the next “Clear!”

“What am I going to tell his family?” the thin man moaned. “What am I going to say to his wife? It was my idea to ride today. How can I face them? The ambulance was too late! It's taking too long!” He turned a tear-streaked face to me. “He's dead, isn't he? Don't you think he's dead?”

“I think so.” I answered hesitantly, trying to soften the obvious. “Don't blame yourself. It's not your fault.”

One of the paramedics shot me a hard look. “There will be a counselor at the hospital to talk to him,” he said in a tone that told me to shut up. “Let's get the gurney.”

It took six of us, straining, to lift the bicyclist's body onto the gurney, the gurney onto the ambulance. We almost lost him once, tipping at the step up to the wide orange doors. The body rolled toward me, the blue-white lips brushing my arm. Finally the gurney slid in. I gave one paramedic a hand up into the back and slammed the doors after her while the other two climbed into the front. The ambulance arced onto the road, its' siren screaming down the mountain air. The sheriff, his yellow lights whirling, drove after, followed by the tearful man and the family in the Buick.

After the echo faded, Younger wandered the turnout, stooping to pick up bloody pieces of gauze, bits of white tape, strewn tubing. His companion, who had waited quietly in their Volvo, packed up their first aid kit. Younger looked at me, then up at the sky. “All this...and for nothing. What good did we do?”

“You did the best you could do. That's good enough.”

“Yeah, I guess you're right. Thanks.” He'd removed all evidence of the tragedy. The pull-off was pristine as an environmentalist's campsite. He ducked into the Volvo and waved as they headed on over the pass.

I scuffed across the road to the van where Boyfriend had resettled himself. Mica twinkled in the black asphalt at the road edge. I walked around the van and skidded down the bank toward a low wall of willow.  Puffs of red earth drifted away from my feet, rabbit brush scratched at my knees. I couldn't see the stream but knew willow grew only beside water in this dry country. I pushed my way through the narrow-leaved branches and squatted as close to an eddy as I could. With my hiking boots sinking into the sand, I washed the dead man's drying vomit from the back of my hand and forearm. The shallow water was fast, clear, and cold enough to numb. Beyond my reddening fingertips, fool's gold sparkled in the sandy bed. I reached to touch it, but wavelets caught the sun and threw painful shards of light into my eyes. I turned stiffly, shook my hands. Rainbow prism droplets flew, evaporating before they hit the ground. I ran my palms across my eyelids and into my tangled hair. Sighing, I lurched back up the bank and hauled myself into the driver's seat.

Boyfriend sprawled on the passenger side, head back, eyelids clamped. “My eyes are killing me,” he whined, opening one a fraction to regard me. I ignored him, reached for the keys in the ignition, and glanced in the rearview mirror. The road and turnout beyond were eerily empty – as if the past had been a mirage. Already it seemed a shimmering dream in the day's heat. It had to have happened, I told myself. The van was facing the valley we'd already traveled. I cranked the wheel laboriously to turn back uphill.

At the top of the pass, I looked out across the plain below to another mountain range: the Sangre de Cristos. Legend has it that two hundred years ago, a priest, mortally wounded by natives, took refuge on a raft in some lake down there. He had watched the snow on the peaks turn deep pink with alpenglow as the sun set behind him. “Sangre de Cristo”, Blood of Christ, were his dying words.

Down valley, we drove past a pink stucco cafe and I spotted a pay phone on the outside wall. “Do you wanna stop for breakfast?” Boyfriend prodded. Eat? Is it still morning? My shoulders ached, my hands gripped the wheel as if they were melted on.

“No. I need to talk to my kids. I need to hear their voices.”  

“What do you mean, 'No'? I'm starving!” Boyfriend glared at me from his eye slits.

“We're expected for lunch at the Zen Center,” I reminded him. “You can wait.” I parked in front of the phone. I dropped a quarter in, but all I got was the ex's voice on an answering machine.

Up in the Sangres, junipers and ponderosa pine stretched out their arms and waved alongside the four wheel track to the center. I knew this road. I'd dreamed about years ago. A carved wooden sign said, “Welcome to Dharma Sangha”. We left the van in a small parking lot, climbed the path, unlatched a gate, crossed a tiny lawn and opened a rusty screen door to the back entry. Low shelves were lined with shoes and sandals. We slipped out of our boots and padded into the kitchen.

“Welcome! Welcome! Come in and sit down!” A monk in T-shirt and shorts bowed formally, giggled, then gave us both hugs. His shirt was decorated with a portrait of Yoda, the wise little master from Star Wars, and the words, “May the Force Be With You.” I couldn't imagine him in a long black robe. He rubbed his shaved head. “Is something wrong?”

“Put me to work!” I pleaded. “Give me something to do. I can't sit.”

“Sorry, hon. That's what we do here!”

I tried to laugh, but I felt too dried out.

“You won't believe the morning we had!” Boyfriend interrupted cheerfully. “This woman is a hero!” The other two monks in the kitchen put down their knives and hurried around the counter to hear his story. Their salad preparations would be postponed by speculations of exactly which mountain pass had claimed the life of the bicyclist. Surrounded by craggy peaks that regularly took the lives of climbers and hikers, they were keeping score. Boyfriend had hooked his audience. “They musta shocked the guy five times...”

I backed out of the kitchen, left the performance behind, and entered the open space of the monastery's main hall. Giant ponderosa logs formed the ceiling vigas. The vigas supported a long room that jutted from an earth berm to the open hillside. I blinked in the white light coming in through the windows. The entire southern wall was glass. Black paper cutouts of swallows were taped high on each pane to warn real birds away. A painful crack, running from ceiling to floor in one panel, was either testament to the futility of communicating with nature or a memorial to a pre-cutout casualty. I could see past the lawn, beyond a tangled garden of herbs and poppies, to the sagebrush floor of the valley. If I squinted off into the distance, I could just make out the Great Sand Dunes nestled at the foot of the mountains.

Silent children. Seas of sand. Corridors of dreams. Bleeding mountains. Gold for fools. A dead man's kiss. Suddenly I felt like a bird hitting the window, feathers scattered, stunned. The light flared in rhythm with my pounding head. I had to shut my eyes and turn away.

When I opened them again, I saw a figure begin to emerge from the shadow of the north wall. It seemed to move toward me as my eyes became accustomed to the dimness. It took my complete attention, finally, and filled my frame of vision. Before me stood a life sized statue poised on a low pedestal. Kuan Yin, the Buddhist goddess of compassion, gazed serenely at me from the darkness. The lustrous eyes were not heavy-lidded and inward looking like those of the Buddha. Instead, she stared steadily out from the shade to the harsh landscape beyond the monastery. The flowing robes, cast in black patina bronze, glowed with polished detail. Her left hand held a budding lotus. Prayer beads trailed down the folds of her gown and ornate hems lapped like waves around one bare foot. Her right hand held a small pouch from which flowed a stream of water. Slender fingers opened gracefully toward the ground in a gesture that suggested both offering and acceptance. She seemed to be waiting patiently for whatever the desert brings. Waiting, with water, for whoever crosses the pass.

I felt the peace of this Bodhisattva flow over me like a cool wave. The images of the panting wildlife officer, the little boy wide-eyed with horror, the trembling hands of the paramedic, the young man swooning in my arms, and the tears of the thin man, faded as I met the deep gaze of the goddess known as “She Who Hears the Cries of the World.” I brought my palms together before my face and bowed. The taste of salt tears brought me back to myself.

When Yoda-monk entered the hall with a vase of flowers for the table, I straightened and quickly brushed at my cheeks, embarrassed.

“May I help?” I asked.

“Sure, sweetie. Come back to the kitchen. You can grab the kettle and cups. We'll make tea.”


Monday, April 18, 2016

The Tattoo

Published in "12x12", Coastal Carolina University, 2010 and the Wayfinding issue 8 of Selki magazine, Sitka, Alaska, 2018


        She studies him from the dark silence of the passenger seat. He is wearing the Night: black jeans, black sweater with sleeves pushed up to the elbow, tiny star of a diamond in his earlobe. His pale profile and outstretched arm glow, moon-like, in the green dashboard light. Left wrist draped across the steering wheel, his hand falls languorously into the shadows, defined only by the red coal of a cigarette.
     Blue tattoos jump from the white skin of his forearm: the Hindu sanskrit Om, the Taoist yin yang, and on the inside (along the soft part where you'd slide a needle) the Druid design she'd once planned for her own arm. He'd had it inked into his flesh just as she'd drawn it years ago on vellum, with one exception; the intertwined deer had become hounds. She sighs.
     His face turns. Eyebrows lift his eyes – a ravaged blue, bright even in the car's gloom – over the edges of his glasses. The thick lenses seem a paradoxical accessory to the black leather motorcycle jacket on the seat between them, to the copper beard, to the fiery sweep of hair she imagines might sear her if she touches it...
     He leans toward her. She smells cinnamon oil and tobacco. She envisions the golden god, Shiva, dancing for her, offering flames of desire and destruction.The auburn brows arch higher. “What?”
     “Just taking a last look at you,” she murmurs. She closes her eyes, frees her long hair over the back of the seat, and stretches into repose. He turns back to the road, satisfied with her answer.
     The future is no more than a thin gray line of sunrise beyond the windshield.




Tuesday, November 3, 2015



Aspens' discarded clothing 
Golden ornaments
On the blue arms of the spruce




Classes in Haiku and Flash Fiction
Discover how to express the essence of life and memory in the ancient Japanese form of poetry called haiku and the contemporary prose poetry of flash fiction. Our time includes a walk in nature for inspiration as well as writing time and group critique. This is a weekend workshop. One day workshops in either genre are also available. contact Winter at: wintersweb@gmail.com or see more on the website: www. ceremonialvisions.com


Friday, January 2, 2015

Tintagel


  


        Flash fiction. From a visit to Tintagel Castle above Merlin's Cave on the Cornish coast. 


    There's no castle here – only gray piles of stacked stone devoured by the soft jaws of the earth; overwhelmed and overgrown by wind swept waves of green grass and ocean fog. And yet, I can imagine its walls rising above the bounding waves. Here was the chapel: a long room ending in a stone altar. Was this a kitchen? Small openings in the foot thick wall would have allowed the sea air to circulate.  What fires must have had to burn all day here? And at what toil was fuel carried, on bent backs, up these steep stairways? Oh! I can see the ghosts of people past: A woman gathers her long skirts to navigate the wet stone steps. Ahead of her, a boy leaps from one level of stairs to another. Across the headland, I can hear the faint sound of sheep. And from somewhere on the salty wind, drifts the ring of hammer on anvil.  That hard life has faded now into fantasy and fairytale. The juxtaposition of realities collide in my mind's eye and I am dizzy, suddenly, looking down from the castle cliffs. 
     How often has someone counted the high tides of this place?



Monday, June 16, 2014

The Holiness of Dirt

Published on the blog of The Great Climate March: www.climatemarch.org, May 2014 and the e-magazine www.wildwomanrising.com/category/volume-2-issue-8/


Pilgrimage: a journey or search of moral or spiritual significance. Typically a journey to a shrine or other location of importance to a person's beliefs and faith, although sometimes it can be a metaphorical journey into someone's own beliefs.” 



     I have joined the Great Climate March on its link between Santa Fe and Taos, New Mexico. I trudge breathlessly, head down, toward our next camp: the parking lot of El Santuario de Chimayo. A Roman Catholic Church and National Historic Monument in New Mexico, it is famous for miracles of healing. I look forward to baptising my feet in the pure cold stream that gurgles behind the church. Cattle in the pasture that borders the far edge of the water look up as I limp toward them.  Although I've trained to hike the distances expected on this march, I've not trained to the pace of walkers who have been on the road for two months already. I hurt all over; my joints are stiff; the soles of my feet are burning.
     The High Road sees pilgrims and seekers of many kinds. I have been studying the descantos, the roadside shrines of white crosses, plastic flowers and sometimes stuffed toys which mark a soul's passing after a traffic accident. And I've been avoiding discarded syringes, broken bottles and crushed beer cans all day. My eyes on the red pumice gravel, I nearly run into a marcher holding up a sun-faded rosary he's found on the side of the road. He offers it, and I, who have recently misplaced my Buddhist mala (but not my Hindu mantra, the chanting of which keeps me going on the uphill) know it's meant for me. Every tenth bead is a plastic picture of our Lady of Guadalupe, the Christianized Aztec earth goddess, Tonantzin and Mother Goddess of this land. I remove the broken wooden cross attached and wrap the beads around my wrist, grateful for this symbol of protection.

     It won't rain tonight. I lay out my sleeping bag in the new grass at the edge of the parking lot so as to see the stars. Or even a UFO! I have cheerfully explained to curious east and west coast marchers why the cattle warning road signs we see have flying saucers added. They do not seem to share my delight with paranormal trivia and grim humor when I describe the spate of mysterious cattle mutilations and strange lights that occurred in the 70's and sometimes even now. What lover of myth could not love New Mexico?
     After exchanging a foot massage with a fellow marcher also old enough to remember the Peace March for Nuclear Disarmament in 1986, I explore the shrine. While others cut carrots for dinner, attend a council meeting or play in the stream, I find myself alone in the dim chapel. Its shabby filigree and folk art style portraits of bloody martyrs and saints weave a spell of sadness around me. A small room to the left of the altar holds the crutches of those healed at this place – the “Lourdes of New Mexico”. Ironically, this overnight spot is where I will lose the new trekking pole on which I leaned so heavily today as I tried to keep up. Philosophically, I later think that perhaps the displaced patella of my right knee might be miraculously healed now that the expensive pole has been sacrificed. Maybe my walking stick will end up hanging here among the crutches! Magical thinking (and alien encounters) will eventually get to you if you live in the “Land of Enchantment” long enough.

     In the shrine room, a foot and a half diameter hole in the rock floor invites pilgrims to trowel a bit of the ”holy dirt” to carry with them for luck and health. I like the fact that it is called holy DIRT, not “soil” or “clay”, “caliche” or “sand”, just good old honest “dirt”. I take a pinch for my pocket.
     I asked a marcher one day, how she felt about walking through the back country Pueblo lands without seeing the public, when a goal of the March is to raise awareness. She answered that it was important to experience what we were actually marching for; to experience the bones of the land without its overlay of cities, farms, roads; to get a small taste of what it must be like to have some harmony with natural forces; to feel a little of what we have lost.
     Pilgrimage may be thought of as the experience of finding a holy place. But it is not a journey to Eden. Transcendence does not come without the understanding of suffering. On this march there is cold, exhaustion, pain, arguments, tears, frustration, anger and grief along with the laughter, love, wonder and beauty. Three days hence, children we marchers have met, will have fallen to their deaths in a plane over a New Mexico forest fire. On that same day, a peacock at our ashram campsite will have spread iridescent feathers in challenge to a rainbow. And the ubiquitous LYFs (little yellow flowers) of the desert roadside will remind us that life goes on somehow. It will go on without or despite us. Pilgrimage is an embracing of the holiness of it All: the holiness, you could say, of Dirt.



Winter Ross is a street medic, artist and appreciator of paradigm diversity. She joined the Great Climate March in May of 2014 between Santa Fe and the Taos Mesa where she tends an Earthship home. 



Thursday, January 9, 2014

Orienting Heaven

First Place Winner of The New Mexico Press Women's and the Federation of National Press Women's Communications Awards for 2015.  This piece was accepted for publication in the e-magazine " The Adventure Bum" which solicited first person extreme adventure stories and unfortunately disappeared after a couple issues.


     Sometimes it feels like mercury is permanently retrograde. I lean back against the hood of the car - the old one that doesn't run anymore - and look up. The Milky Way arches overhead in a jet black sky, which is what we have out here in the desert miles from town. The cloud-like strip of stars runs parallel to Pataca Canyon behind me. The  canyon once held a river but the undulating bed is bone dry now. The Army Corps of Idiots thought they could dam water that ran over lava caves and the river simply sank underground. Then long years of drought did it in completely. Interesting how the Milky Way lines up above it.
     Craning my neck back, I can sense myself rolling east with the planet. The realization dizzies me. I almost fall off the car into the sagebrush from the awe of it. To the South is the constellation that looks like a big 7. Scorpius? To the North, hangs the Big Dipper. I'm trying to reorient. Ha…metaphor for my life. How did I get out here, to this lonely earth-ship? There hasn't been rain in weeks and the cistern is low. Sometimes I think I hear river water rushing, but it's the wind scouring the sage.The solar panel on this place only works in the daylight when I don't need it. The old batteries won't hold a charge. If I want more power than a flashlight gives, I have to fire up the gasoline generator. I can't stand that sound. This place is all about silence. It's about old skeletons and wandering spirits. So at night I star gaze. And think…probably too much.
     Tonight the air is soft and the hood of the old Ford is still warm from the afternoon sun. I scoot back on it for a more comfortable angle. The stars nearer the horizon twinkle like holiday lights in a storm. It's the atmosphere: all the pollution and heat waves we have to look through makes them seem to blink on and off. I could never convince my rafting buddy, Fischman, that the big red-blue-yellow ones weren't UFO's. He simply wasn't ready to give up telling the story of his "sighting".
     I'm watching the planes now: the red blink pause blink pause. One's heading toward Colorado, the Springs, I guess. I try not to think of Fischman but it's no use. The blinking lights and shivering stars bring back the memory of that night around the fire at the rafting camp, and the crazy alien stories he'd entertained the tourists with. It was the first night that week, up there in Colorado on the Arkansas, that we'd seen the stars. It had been raining non-stop. I expect mercury was in retrograde then too. Everything seemed to go wrong on that trip: the leaking propane, the blood-thirsty bugs, and Fischman, unprepared for the job of oarsman. Because the water was so high, the orders had been "no paddles for the tourists". One oarsman, seated high up on top of a gear box, would be in control of the little self bailing raft.
     Fischman was rowing the stretch that day and I was along for the ride - right up front - trying to photograph the wave action with a brand new camera. There were five of us: a honeymooning couple from Denver, a macho paramedic from New York City, me and Fischman. 
     It's not like Fischman hadn't done the river many times, but he wasn't used to oars and the waterscape had changed, swollen from the rain. He misjudged the hole. It had probably been a boulder he'd done a run around in the past. When we hit the trough behind the wave head-on, the raft folded and then shot straight up into the air. I remember watching my new Canon arcing out of my hand in slow motion. I sailed after it. I remember being suspended in the blue and then the raft obscuring the sky as it flipped up and over me. I hit the icy water and struggled upward but before I could grab a breath, the gunnel came down on my head, forcing me back under. Disoriented, I tried again for the surface but the raft was still on top me and I was forced down a second time. I started to panic.
     Sometimes when you know you have to figure it out or die, you get it. I had to swim upstream, underwater, away from  the raft as it raced down the river. And with my lungs burning, I did. I came up, gulped air, and turned on my back, feet downstream to save myself from any rocks that might be ahead. The upside-down raft was bouncing away. 
     The Arkansas was narrow here and deep but smooth. I judged I could make shore easily. I looked around for the tourists. The female half of the honeymooners was screaming for her husband. I spotted him upstream from her. An oar drifted by and I grabbed it and shoved it at her. Although her life vest kept her afloat, just having something to hold on to calmed her down enough to stop floundering and listen.
     "He's ok! He's right behind you! Take this oar to shore." So we saved one oar. The three of us dragged it along with an unloosed rubber stuff bag up the bank where we found the paramedic sitting, dazed and pale.
     By this time another raft had caught up with us and the folks in it were scooping up bits of our gear. "Are you OK?" the guide shouted. I waved her on. 
     "Yeah! We're OK. Grab the raft! Where's Fischman? Look for Fischman!"
     They swirled past us. I turned away from the river to take stock of the situation. The bride was sobbing in the groom's arms but he nodded reassurance. The paramedic had stopped shivering and was just staring at the river. I pulled a sleeping bag, still dry, from the sack and tried to put it around his shoulders. He shrugged it off and wobbled to his feet. "I'm fine!"
     "Look at me." I said. He glared. "Do you remember all the symptoms of hypothermia and shock?"
     "What?"
     "You're white as a ghost, your lips are blue, you're too cold to shiver and you're out of it. Now get your life jacket off and wrap up in this." I ordered. "Sit down and put your head between your knees before you faint."
     "Oh…OK…"
     I struggled out of my own vest, staring downstream. The "rescue" raft had beached with the errant boat alongside, still upside down. I could see little figures jumping in and out of the water, hauling both boats ashore. And then over the sound of the rapids I heard a wail, then shouts and saw the tiny figures all come together in a bunch. I ran, tripping over rocks, willow branches whipping my face, falling only once before I reached the group. They'd found Fischman. He'd never made it out from under the raft. On his forehead was a right angle cut where a corner of the gear box had hit him before he drowned. 
     He'd probably gone out like a light. Out like the meteor I just noticed streaking from the Milky Way. Fischman would have insisted it was a UFO, of course, and the stories would have begun. The stars blur with my tears but the wind that has just come roaring in, dries them before they can be shed. I miss Fischman. I miss his stupid stories. I miss the rain and the river and the aspen. But I'm not going anywhere in this drought, not with this old car up on blocks and not on the dry Petaca.
     I'll take that meteor as a sign from him. Native American legend says the Milky Way is the road the soul travels when it journeys to the Ancestors. I think it looks more like a heavenly river. I imagine Fischman swimming against that sparkling white-water star-stream. Or maybe he's not fighting it. Maybe he's just going with the flow back home. Wherever home is.



Winter Ross is an artist, writer and former wilderness EMT who dropped out of Orienteering class before there were cell phones with GPS's.  She is the founder of New Mexico Street Medics and has published in "Pilgrimage: Spirit, Witness, Place" and "EarthFirst Journal." 

Friday, April 20, 2012

Testimonials for "Four Warnings: Shamanic Journeys"


Praise for "4 Warnings: Shamanic Journeys" : Winter  Ross blends lyrical prose and fairytale-like etchings with the passion of an environmentalist and  mystic. This  illustrated  chapbook of four visionary shamanic journeys is:

"A beautiful piece of work!  Very moving.  The illustrations couldn't have been better." -- Richard Lutman, prize-winning author of Crowsfield and creative writing instructor, Coastal Carolina University, Myrtle Beach, South Carolina.


"You may pick up this beautiful, seemingly short, book casually. You will leave it being forever changed. Ms. Ross weaves a vision of our possible future as a species - indeed, as living creatures - which pulls at the heart and, hopefully, spurs us to action. Through her visionary travels with Bat, Orca Whale, Deer and Bear, she leads us on a journey encompassing the spiritual and physical realms which lie hidden within our psyches, to truths we know but don't know we know and sometimes wish we didn't.
If you have an inkling of the dangers we have imposed on our very existence on this home, our planet; if you have a heart which hears the steady drumbeat of destruction; if you want to cry out with all creatures, in compassion - pick up this beautiful and heartful book. You will find a companion here." --Bruce Nygren, Amazon customer, Boulder, Colorado


"Your book is beautiful and also frightening, suitable shaman material, creative and destructive forces alongside each other. Thank you for gifting us with these precious dream journeys." -- Ken Stanton, Foundation of Shamanic Studies workshop participant, Esalen Institute, Big Sur, California.

"Your book is wonderful!!! Inspirational..." -- Naomi Lake, Shamanic Healer, Crestone, Colorado